Death Valley in Spring Landscape and Milky Way Photography 2027

Death Valley Spring Landscape and Milky Way Photography

March 7-12, 2027

For 2027 we’re timing our spring Death Valley workshop to coincide with early morning Milky Way photography. The Milky Way will be available on clear mornings from roughly 3-4:45am. We can stay up for 6am sunrise or return to our lodging for more sleep before breakfast.

Storms in August, September and October cause plants to germinate and there can be profuse blooming in the late February through April time frame. We won’t know until early 2027 how the wildflower bloom is likely to turn out. Death Valley is just down the Eastern Sierra from us, so we watch the passing rain showers in fall, and we usually find some patches of wildflowers. We’ve planned our time in Death Valley to expand lodging availability and avoid potential weekend crowds in the event of a “super bloom”. This five night, six-day itinerary focuses on the iconic landscapes accessible from lodging in Stovepipe Wells and Furnace Creek. We divide our stay between the two to reduce round trip driving to many locations by an hour or two, and to maximize sleep as well on the mornings when we pursue night photography.

We’ll explore Death Valley’s sand dunes, salt flats, eroded badlands, and spectacular vistas. It also has sites with a rich history of mining, and rustic cabins and head frames remain. We like early March timing to shoot the Park, before the worst of the oncoming heat starts to arrive. 

Recently we’ve found great wildflower conditions in 2024 and 2026, but Death Valley’s exotic landscapes never disappoint. Spring weather can also be spectacular. We live not far from Death Valley, and we watch the weather throughout the season and as the workshop date approaches to anticipate where the best conditions will be in any given season.

What’s included:

  • Local expertise and guiding to subjects & light, based on our 60+ trips exploring the Park
  • Optimized itinerary based on experience, weather apps & conditions
  • Photography instruction, composition consultation (if desired)

What’s not included:

  • Lodging (lodging recommendations will be provided upon registration)
  • Transportation
  • Meals/snacks/beverages
  • Entrance fee to the park
  • No group lodging issues (high price, no cancellation, etc.)

Sample Itinerary

To ensure you get the best pictures and to accommodate for weather, we keep the itinerary open and flexible: we have an idea of which opportunities are available and what’s left on our priority list, but conditions and weather influence what’s next. This is an example of what to expect, though it may change as necessary during the workshop. We change lodging once to cover more ground while having less time driving, more time shooting, while getting more sleep before our sunrise shoots!

  • Day 1 — Travel. Meet in the afternoon in Stovepipe Wells after everyone has checked in to their hotel.  We’ll photograph sunset, possibly blue hour, then head in for dinner.  We may opt to go out and get a few night shots before retiring to our hotel rooms for the evening.
  • Day 2 — We’ll meet for an optimal sunrise near Stovepipe Wells, and make a few photography stops on our way to breakfast.  We’ll grab a quick bite and then head back out for more photography, particularly in location to the west, north, and east while our base is most convenient. We’ll break for lunch and dinner as needed, perhaps in Beatty or Panamint Springs as we shoot in  interesting places away from the crowds. On some of the clearest mornings we’ll go out for Milky Way photography.
  • Day 3 — Similar, but moving to the Furnace Creek area for recommended lodging so we can have shorter drives to points south and southeast.
  • Day 4 – Similar optimal sunrise at a location selected via the latest weather and sunrise forecasts the night before. We may make a few photography stops on our way to breakfast.  We’ll head back out for more photography, breaking for lunch and dinner when convenient, sometimes pack a meal to go so we can shoot in more distant locations away from the resorts, towns, and crowds.
  • Day 5 – There’s so much in Death Valley to capture, but it’s too big to capture it all… so we’ll prioritize what’s left, again constantly adjusting the plan as we go for weather and opportunities.
  • Day 6 – Meet to shoot sunrise, have a farewell breakfast, and head back to our hotels to check out and make our way homeward.

If you have the time, our 320-page photographers’ guidebook “Photographing California Vol. 2 – South” can give you more locations to shoot on your trip, in Death Valley or the Eastern Sierra (Alabama Hills, Mono Lake, etc.). 

This website uses cookies.