2017 Best Nine: Nature, Landscape, Travel Photography

2017 Best Nine photographs from California

2017 BestNine photographs by Jeff Sullivan Photography.

There a site that can analyze your Instagram feed and arrange the nine most popular ones into a new image for you to share. Scroll to the bottom here to create yours:

Drop by my #2017BestNine on Instagram and leave a comment to let me know when you’ve uploaded yours, and I’ll go check yours out!
https://www.instagram.com/p/BdU4kyqjrJv/?taken-by=jeffsullivanphotography

The site will also let you create your #2016BestNine if you haven’t already done so:
Best Nine of 2016?

Last year I also created my #2015BestNine, as shown here:
Best Nine of 2015?

Another option you have is to include statistics on your account for the year:

2017 Best Nine photographs from California

2017 BestNine photographs by Jeff Sullivan Photography.

It says roughly 40,000 “views”, but they seem to actually be likes. If the views-to-likes ratio is similar on Instagram to what I see on Flickr, the views would be roughly 10X more, or 400,000.

I had a few more “views” (or likes) in 2016, but had to upload more photos to get them:

2016 Best Nine photographs from California

2016 BestNine photographs by Jeff Sullivan Photography.

Overall my audience growth is pretty slow on Instagram, and I still have a lot more views on Flickr, the photos get views for longer, and the strong keyword tagging and search features means that the photos get found occasionally for commercial licensing. Obviously Instagram’s parent company Facebook has tremendous resources to invest in Instagram, and with nearly 600 photos there already, I remain optimistic that I’ll see more of an uptick in activity on my photos on Instagram in 2018!

My most popular photo on Flickr, with 1,538,443 likes, 21,292 favs, 1023 comments:
Water Cuts Rock

My most popular photo on Instagram?  886 likes, 33 comments:


The stats themselves don’t mean much, obviously I’m focusing on my photography not social media or I’d have more Instagram activity.  If I produce compelling work, the rest will eventually take care of itself.  But with little times to spend on social media and photo sharing sites, it’s useful to pay attention to where what little time I do have is best spent. So I’ll continue to pay attention to where my photography seems to get the best reception.

Other ways to look back at my new 2017 images and fresh edits of older ones?  I collected my favorites in a post on this blog:
Top 10 Travel Photos 2017

I selected those from over 100 that I nominated during the year as I was taking them, stored in a 2017 Favorites album on Flickr:
https://www.flickr.com/photos/jeffreysullivan/albums/72157676554197004

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Recent Artwork Uploaded for Printing and Gifts

Prints, mugs, T-shirts, and more, available for a limited time only, all with a money-back guarantee from Fine Art America:
Photography Prints

Sell Art Online

Sell Art Online

Sell Art Online

Sell Art Online

Art Prints

Photography Prints

Photography Prints

See more of my current print and gift offerings at:
https://fineartamerica.com/profiles/jeff-sullivan.html

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Spring in Yosemite Photography Workshop Highlights, 2017

Sun Rays on Yosemite Valley Morning Fog (color)

Sun Rays on Yosemite Valley Morning Fog (color)

Yosemite Valley SpringWe had great conditions for my Yosemite in Spring photography workshop in May, 2017: mixed weather with morning fog, brief rain to created mist alongside Yosemite’s granite monoliths, clouds to decorate sunrise, “moonbow” lunar rainbows at night, a rainbow in Bridalveil Fall that I anticipated from the sun elevation and compass direction, blooming dogwood trees and wildflowers, waterfalls, creeks in high spring flow, and so much more. Of course all of this needed to be experienced from the right vantage point at the right time of day.

Outdoor Photographer Magazine published today that they selected one of my photos from this workshop as the winning image for their recent Iconic Locations challenge.  See their write-up on their site for more information on how the image was created:
https://www.outdoorphotographer.com/iconic-locations-assignment-winner-jeff-sullivan/

OP was kind enough to share the image on their Facebook page and Twitter timeline as well:

Congratulations to @jeffsullivanphotography for winning the recent Iconic Locations Assignment with the image, Sun Rays on Yosemite Valley Morning Fog. “On this sunrise at Yosemite’s iconic Tunnel View overlook, it had rained the day before, but the skies were forecast to clear up overnight, so I figured that it would cool down enough to have the water vapor condense as a ground fog. When we arrived the next morning, it was just thick enough to reach the treetops, creating some nice photographic opportunities. “There had been several dozen people at this viewpoint minutes before the sun rays appeared, but once the sun cleared the mountains, nearly everyone decided to go get breakfast. Someone in my workshop asked about that, but I said, “Let’s give it another five minutes.” Sure enough, when the sun closed the gap in the clouds and started shining down between them, light rays started moving around the Valley. “The dynamic range of the scene was too great for one exposure, so the sun ray image was created from five bracketed exposures, adjusted in Adobe Lightroom and combined in PhotomatixPro HDR software.” * * * #OPAssignments #iconiclocations #travel #adventure #tunnelview #Yosemite #landscape_lovers #sky_captures #landscapephotography #fantastic_earth #landscape_captures #ic_landscapes #ig_exquisite #ourplanetdaily #landscapelovers #instanaturelover #welivetoexplore #allnatureshots #specialshots #landscapestyles @yosemitenps

A post shared by Outdoor Photographer Magazine (@outdoorphotomag) on

Here are more images from that great photography workshop in Yosemite National Park in May:

Yosemite Light Rays on Valley Fog

Yosemite Light Rays on Valley Fog

Light Rays On Morning Fog

Light Rays On Morning Fog

Yosemite Valley Morning Light

Yosemite Valley Morning Light

Rainbow in the Mist

Rainbow in the Mist, Bridalveil Fall, Yosemite National Park, California

Moonbow Reflections 2017

Moonbow Reflections 2017, Upper Yosemite Fall, Yosemite Valley.

Half Dome Behind Parting Clouds

Half Dome Behind Parting Clouds

Climber Lights on El Capitan

Climber Lights on El Capitan

Morning Fog in Yosemite Valley

Morning Fog in Yosemite Valley

See other posts on this site for more images from my photography workshops in 2017: www.JeffSullivanPhotography.com

I’ll release 2018 dates shortly. Let me know if you’d like me to notify you when they’re released.

Half Dome Morning Reflection

Half Dome Morning Reflection

Lower Yosemite Falls Moonbow

Lower Yosemite Falls Moonbow

Confluence

Confluence

Cloud Forest

A post shared by Jeff Sullivan (@jeffsullivanphotography) on

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Geminid Meteor Shower 2017

Geminid Meteor Shower, Nikon D750

Geminid meteor shower at 14mm, with some foreground. Nikon D750 / 14 mm.

The Geminid meteor shower is generally acknowledged to be the most active meteor shower of the year with rates of about 120 meteors per hour. It was discovered in the 1800s, and rates seem to be increasing, with some attributing it with up to 180 meteors per hour! While the Geminids aren’t known for producing a lot of bright fireball meteors, the Chi Orionids are, and the radiant point isn’t all that far from the Geminids, so you still have decent odds of catching fireballs, even if they aren’t from the “correct” comet debris stream and apparent radiant point in the sky.

This composite brings the meteors from roughly 3 hours into one image:

Peak Night, Geminid Meteor Shower

3 hours of the Geminid meteor shower further back at 14mm, emphasizing the sky. Canon EOS 6D / 14 mm.

Geminids 2017, Night Before Peak

Night before peak, Geminid meteor shower 2017. Canon EOS 6D / 14 mm.


Moon rise the night before the peak of the Geminid meteor shower,a few nights ago, along with a quick collection of some of the meteors I caught on that night:

It was 8 degrees F when I arrived just after dark to shoot the meteor shower on this night. I don’t even want to know what temperature it was when i picked up the camera later in the night!

Fireball During the Geminid Meteor Shower

Geminid meteors and a bright fireball, likely a Chi Orionid meteor.

As NASA notes about the Geminids:
“The Geminids are a meteor shower that occurs in December every year. The best night to see the shower is Dec. 13 into the early hours of Dec. 14. The Geminid meteor shower is caused by a stream of debris left by the asteroid, 3200 Phaethon. When the Earth passes through the trails of dust every December left by 3200 Phaethon, we see the Geminid meteor shower as the dust (meteoroids) burn up in Earth’s atmosphere creating meteors. Geminids travel through Earth’s atmosphere at 78,000 mph and burn up far above the surface.”

I shot with two cameras the night after peak as well, but they didn’t capture enough meteors to make processing the images a priority. I’ll get around to it at some point, but it’s pretty clear that the meteor rate on the night after peak is far, far below the rates on the peak night and on the nights leading up to it.

For more of my photos from the Geminid meteor shower, you can see my photos of it since 2010 on my Flickr photostream.

Geminid Meteor Shower 2010, Canon 5D Mark II

Geminid Meteor Shower 2010. Canon 5D Mark II / EF 16-35 mm lens at 16 mm focal length.

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Why Do Your Fall Images Look Better This Year?

Yellow aspen in the Eastern Sierra

Eastern Sierra Fall Colors

I often receive supportive feedback on my photography, as well as questions on how I get my results.  Since I’m “in this for the photography” I tend to prioritize photography over writing.  So my answers to questions provide a great opportunity to address common questions in a blog post.  This time, I’ll just have it all be the blog post, illustrated with photos that I’ve post-processed in the past month, fall 2017…

Yosemite Daylight Long Exposure Composite

On 9 Nov 17, 5.52PM PST ———- said:
Jeff:
I see a dramatic change in your fall images….much improved, even though the old ones were great to start with. What software are you using to develop your images? It looks like you are using focus stacking for the landscapes as well. Is this so?
Nice job, ————

Hi ———-,

I’ll answer in two parts, first regarding post-processing.

I honestly don’t know if I can narrow it down to one or two factors and answer the question completely, but here goes…Everyone’s looking for ways to improve their photography, and the questions often assume that a new camera or post-processing software must be the key.  To be sure, cameras and applications do evolve, so there are benefits to new versions, but there’s a lot to be said for the influence of experience and personal stylistic choices.

Spring in the FallIt would be really easy to simply provide “the answer” and point to one new product that will provide the magic bullet.  You find that all over the Internet with people paid to promote products, and they often do not follow FTC guidelines to properly identify their social media and blog “reviews” of their sponsors’ products as paid ads.  I’m unencumbered by product/manufacturer relationships, so I can take a more comprehensive and less biased approach.

I do find Adobe Lightroom 5 and lately 6 to be meter than older versions of the software, and I do often re-process results as recent as two years ago and get better results.  But here’s the catch: I also notice that I’m using a different approach and settings than I did even as recently as two years ago.  So I can’t really attribute the improvements to solely or even mainly to newer Lightroom software.

Fall Colors in the Virgin River NarrowsI’ve been using Photomatix from HDRsoft for many years, and I remember as early as 2009 I was occasionally layering my best edit of the original photo on top of the HDR result to make the result more realistic.  Unfortunately that required exporting the files to Photoshop for the layering.  I prefer the photography side of the process over the computer/graphics arts options, so I often just settled for an average of the three exposures in Photomatix, and touched that up on Lightroom instead.  The new version Photomatix 6 that I started using in beta last spring includes the layering of any of the original files on the HDR output, and enables blending using a slider from 0 to 100%.  So in addition to being to select from more preset HDR results, it’s little extra effort to blend in the best straight photographic result that you were able to produce in Lightroom.

That would certainly account for many of the files that I post-processed in Photomatix, but I try to tag all of them with HDR and Photomatix, so you can see for yourself that it’s not a huge percentage of my overall fall results.

Yosemite Fall DogwoodsSo what’s left is some combination of experience and what I choose to do with it.  I think that I’ve become more demanding with my results, which forces me to take a more critical look at them.  I often say that I prefer to spend five minutes or less post-processing a photo on my computer, but to get better results, at a minimum it is necessary to take the lead of Ansel Adams and at least invest some time in dodging and burning.

Stylistically, while I always preferred to produce more or less realistic images, sometimes digital cameras simply didn’t have the dynamic range to capture an entire natural scene well, so I’ve decided to accept the compromise of visibly manipulated results.  As cameras get better in subtle ways and I continue to master my skill with the various techniques and tools available, including the software tools, I can shift my focus to stylistic choices instead of fighting the tools to get an acceptable result.

Fall CalmI recall that I decided to get a little more assertive with contrast and blacks about a year ago.  At some point earlier this year I decided to produce some more colorful results, although I still don’t want the first impression people get to be “manipulated”.  I may not always succeed, but I’m exploring a wider range of results, and reining myself in when I can detect that the photo is crossing some invisible line.  I guess that you could boil it down to developing my own effects, range and style, mainly within the bounds of what Lightroom can do, but occasionally using Photomatix if/when the dynamic range of the scene warrants it.

The next logical question is what am I doing in Lightroom.  The short answer is that what I like about landscapes is the photography “pursuit of light” side in the field, experiencing the moment itself, so as mentioned, I tend to keep my adjustments under five minutes or so per photo on the computer, whenever possible.  I push as much quality as I can back to the capture side of the process, and automate some of the post-processing, so I can get back outside.  The fine details of how I achieve that, from image capture through post-processing, are probably best left for interactive post-processing demos during my workshops, since sharing my process and some of my favorite locations is exactly how I continue to pursue photography.

Yosemite's El Capitan in the Fall by Jeff Sullivan on 500px.com

 

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Yosemite National Park to Close Tioga and Glacier Point Roads

Yosemite’s Half Dome from Tioga Pass Road
If you have any plans to head over Yosemite’s Tioga Pass Road this year, you’d better get that in before 3 pm tomorrow!
 
Yosemite News Release – October 28, 2016 12:00 pm – For Immediate Release
Yosemite National Park to Close Tioga and Glacier Point Roads Incoming Storm Expected to Drop a Significant Amount of Snow in the Park’s Higher Elevations
With several major storms expected in the Yosemite Area this weekend, Yosemite National Park is closing Tioga Road at 3:00 pm and Glacier Point Road at 5:00 pm, on Saturday October 29, 2016 This Closure will be in place until further notice.
 
Tioga Road typically closes each fall and remains closed throughout the winter months. The road reopens when weather and road conditions permit in the spring. Yosemite National Park is open year-round with snow removal on all other roads within the park.
All roads within the park are subject to chain control or temporary closures due to hazardous driving conditions. All motorists are required to carry tire chains, even if their car is equipped with four-wheel drive, while driving in the park during the winter months.
For updated 24-hour road and weather conditions for Yosemite National Park, please call 209-372-0200

-NPS-
———————————————————————————————————

Tioga Pass, summer 2016

I’m looking forward to my Yosemite Full Moon & Fall Colors workshop coming up November 12 – 16, and working on my schedule for next year, when you can join me to photograph the unique sights available away from the crowds of Yosemite Valley!

November 2012… join me here for a workshop November 2016!

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More Photos from Death Valley in April

Natural Bridge

You may have noticed that I’m obsessed with death. Death Valley National Park, that is! I grew up in New England, just about as far from the desert as you can get in America, so in my current quest to explore the largest national park in the Lower 48 States, I must be making up for lost time.

Windy Day on Mesquite Flat DunesFortunately, currently living in the nearby Eastern Sierra region, I’m only 3-4 hours from a couple of park entrances, so I can indulge in my desert yearnings frequently. I usually visit once or twice in the Thanksgiving to New Year’s Day time period, then again in February and March as the wildflowers start to bloom. But as spring continues and Death Valley starts to really warm up, I like looking for storms and bouts of cooler weather, in case I can slip one or two more visits in before it gets too hot.

In April 2016 I could see a storm front approaching in the weather forecast. Daytime high temperatures would drop into the 80s.  I’m currently working on a detailed photographer’s travel guide to the park to be offered in the +SNAPP Guides app, so I threw my camera and camping gear into the car, and headed to the park with a list of the sites I wanted to explore or revisit next.

I hiked to a natural bridge, and enjoyed great views with sunlight streaming through clouds. I explored stone-walled buildings at an old mining town site, and found wildflowers thriving at higher elevations than on past visits this year.

I met a Subaru coming out the wrong way from Titus Canyon, apparently deciding that “high clearance” meant higher then they had. The worst part of the road is about halfway through the 24-mile loop, so drivers that wait that long have a lot of wrong-way driving to do. Sometimes they’re in a hurry to get out, so they come flying around blind turns!

On the edge of a canyon, two jets saw me with my camera, so they took two passes each direction up the canyon, turning and shooting up sharply right in front of me, so I was able to get some great shots. They were very fast, very close, and very loud!

In Salt Creek, the water was slightly higher than normal, so the pupfish were exploring down to the parking lot, feeding in the flooded margins before low water forced them back into their normal cramped habitat space. Normally they’re a little skittish, but their quest for food prevailed, so when I held my iPhone out over the water, one came over and posed for a portrait.

On one evening, I caught a sandstorm over Mesquite Flat Dunes, back-lit with golden sunlight by the setting sun.

On the way home, sunset light was lighting up rain showers at Mono Lake. It was an eventful and productive trip. I can’t wait to return!  In the meantime, I’ve uploaded the latest batch of photos to the Death Valley 2016 photo album on my +Death Valley Workshops page on Google+.

If you might like to join me in Death Valley sometime, my spring 2016 workshops are done for the season, but I can add a session in mid-December if there’s sufficient interest: Death Valley Photography Workshops.

Jellyfish Cloud
Sunset rain showers over Mono Lake

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Photograph Jets Close in Death Valley

High Speed Selfie
Water vapor condenses on the wing of an F-15C from the 144th Fighter Wing of the +Air National Guard in Fresno

I’ve encountered jets in this canyon in Death Valley by coincidence a few times over the years, so I mentioned them on page 130 of my “Photographing California – South” guidebook. But I’ve only recently sat around and waited for them to arrive. The first time, I showed up at 4:30 pm and waited for a couple of hours, and was skunked. I later talked to someone who had arrived at 3:30 pm, and saw three passes in 45 minutes before leaving at 4:15 pm.

The second time I waited from dawn, nothing happened until a single plane went through at 9:50 am. Nothing happened for another hour, then a pair of F-15C jets from the California +Air National Guard went through it in each direction, twice! They seemed to spot the camera on the first run, then on the next three runs the lead plane pulled up sharply right at my location partway down the canyon, to be pulling a lot of Gs and turning up out of the canyon sharply directly next to me. The pilot appears to be looking at the camera each time, and I can’t think of many reasons to end a run up the canyon early, in both directions, so it sure seemed like he was setting up selfies.

Having heard that photographers fly over from Europe to spend a week sitting all day waiting for the jets, and they report 7 to 9 per day, I had my 9 and figured that I had done well. For some reason, Mondays were considered to be less promising, so I might not see any more planes that day. I picked up my tripods and started moving towards the car, and more planes came! It was like that until I had to leave by noon. I’d throw the tripod over my shoulder and another jet would come.

A couple of guys from the adjacent campsite in the Stovepipe Wells campground the night before showed up and saw a jet go through. A few random people watched one go by from time to time. A busload of children on a field trip showed up, their wait was no more than 10 minutes, then a jet went by and they left. It sure seemed as if perhaps they came from a town nearby and had been able to coordinate with the pilot, perhaps a parent of one of the children?

Dropping Into the CanyonWhen these jets was turning the hardest, smoke-like trails formed behind the wingtips, and smoke-like misting formed on top of the wings as well. It turns out that this is water condensing, not uncommon when pulling the most Gs:

“Condensation of water vapor in wing tip vortices is most common on aircraft flying at high angles of attack, such as fighter aircraft in high g maneuvers, or airliners taking off and landing on humid days.” https://en.wikipedia.org/wiki/Wingtip_vortices

Having been skunked on a prior visit then rewarded with a flurry of activity after a few hours of uneventful watching the second time, I can’t make generalizations yet about your odds of catching jets flying up canyons in Death Valley, but apparently if you are persistent enough, the jets may eventually come. That’s when you’ll find success, when preparation meets opportunity.

What Aircraft Use This Space?

The Panamint, Saline and Eureka Valleys in Death Valley National Park are part of the R-2508 Complex, jointly administered by the Edwards Air Force Base, China Lake Naval Air Weapons Station and Fort Irwin (Army). NASA Armstrong Flight Research Center (Named Dryden Flight Research Center until 2014) is located at Edwards AFB. The 144th Fighter Wing of the Air National Guard, based in Fresno, came through while I was waiting.  Apparently jets from Nellis Air Force Base in Nevada come over on exercises, and one of the jets that passed me had a UFO logo on its tail, so it might have been out of Groom Lake (Area 51) on Nellis. 

Although R-2508 stretches 140 miles north and south and 110 miles across, each dimension is only a few minutes across at 500 MPH.  So it’s not all that large from the perspective of the pilots using it, and sub-sections include bombing and artillery ranges, so pilots have to navigate around closed sections on any given day.  Nevertheless, it’s the largest overland Special Use Airspace (SUA) in the United States, so it’s a scarce and valuable resource for the armed services to have.

Why is the military using National Park airspace at all?  This has been a topic of discussion for some time, and in 1977 it was agreed that the jets would stay above 3000 feet over Sequoia, Kings Canyon National Parks and Death Valley, a national monument at the time. The areas the jets used for low level flying were mostly administered by the BLM, and were in use by the military before the Death Valley National Monument became a national park via the California Desert Protection Act on October 31, 1994. That was also when it was expanded from 2 million acres to 3.4 million acres, adding the valleys being used by military aircraft. 

Why Do Military Aircraft Fly Low?

An information sheet that I picked up at the Maturango Museum in Ridgecrest states: 

“Today,one way a military pilot can survive in combat is to fly as close as possible to the ground to avoid detection by enemy radar systems. This skill is developed by flying at very low elevations over a variety of terrain.”

“Not only do the pilots fly very low in combat, but also very fast.  This low and fast flying requires many hours of training time for pilots.  They must train in a gradual step-by-step process down to a minimum low level of flight to gain the confidence and experience needed and then regularly practice this skill to make second nature the necessary split-second decisions.”  

“In general, military flights can occur in the complex as low as 200 feet with several exceptions.”

A discussion of civilian use of the airspace appears here: Navigating “The Complex”.

F-18 Showing Off
Water vapor condenses at the wingtips and over the wings of an F-18 in a high-G turn

#Air National Guard

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Death Valley Wildflower Workshop This Week

Ashford Mill to Jubilee Pass
With modest enrollment, the participants have elected to make this a camping-based trip, so we can stay closer to where we want to shoot, and pursue night shots as well.  We’ll also have the flexibility to follow the latest wildflower reports, the unfolding weather, and the discoveries we make along the way.  

Desert Gold February 2016This is probably the best wildflower season in the last decade, with the added bonus of water on Badwater salt flats (as of a couple of days ago) for sunrise reflections.  I just passed through the park 2 weeks ago and I’ve been following updated wildflower reports, so I have a good idea from those and from past years where to go.

When we get tired of wildflowers and Badwater reflections, if that’s possible, they want me to show them a slot canyon and sand dunes that most park visitors don’t visit or see.  We’ll pursue a little night photography as well, and I have some good ideas on what we might want to do for that.
Temporary Inland Sea

This Spring in Death Valley album shows approximately what we might cover this week, with the most relevant being the first 50-60, up to the red fire truck and red Fiat: https://plus.google.com/photos/107459220492917008623/albums/5831194499079947137

Dune Lines

Although we’ll be camping, we’ll often be only 30 to 60 minuted from Furnace Creek or Shoshone to access a meal or shower.  We’ll have camp stoves for some meals and I’ll bring wood, steaks, etc. and cook over a fire Tuesday or Wednesday night.

It’s going to be a fun week!
http://www.jeffsullivanphotography.com/blog/death-valley-photography-workshop-2013/

Revisting an Old Friend

Desert Gold and Sand Verbena

Milky Way over Devil's Cornfield

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Top 10 Travel Photos: 2006

Water Cuts Rock, Zion National Park, Utah

Water Cuts Rock – Over 21,000 favorites on Flickr, 1.5M views!


I’m looking back on my first dozen years of travel and landscape photography, 2006 – 2017.  Here are some of my favorite landscape and travel photography images from my road trips and explorations in 2006.

Solar Rainbow in Yosemite Valley

Solar Rainbow in Yosemite Valley

Half Dome, Full Moon
Moon Rise by Half Dome at Sunset, Yosemite National Park

Floating
Kayakers and hot air balloon, Tahoe National Forest
Joshua Tree
Joshua Tree at Sunset near Las Vegas
Long Exposure in The Narrows

Long Exposure in The Narrows, Zion National Park, Utah

Last Light in Canyonlands
Needles District, Canyonlands National Park, Utah
Coral Sand Dunes
Coral Pink Sand Dunes, Utah

Fall Morning Mist in Yosemite National Park
Fall Morning Mist in Yosemite National Park
Fall's Splendor
Colorful Aspen Leaves by a Spring near Mill Creek, Eastern Sierra

This was a selection of a few favorites from an album of over 45 photos from 2006. To see more of them, click on the link or photo below.

More photos from 2006:
https://www.flickr.com/photos/jeffreysullivan/sets/72157648833139014

Colorful Sandstone Reflection

My Favorite Landscape / Travel Photos from Each Year, 2006 – 2016

Here are some of my collections from prior years.  It has been a great dozen years of adventure, I can’t wait to see what I can find to show you in the next 12!

New: 2017 Top 10 Landscape / Travel Photos blog post

2016 Favorites photo album on Flickr
2016 Top 10 Landscape/Travel Blog Post

2015 Favorites photo album on Flickr
2015 Top 10 Landscape / Travel Photos blog post

2014 Favorites photo album on Flickr
2014 Top 10 Landscape / Travel Photos blog post

2013 Favorites photo album on Flickr
2013 Top 10 Landscape / Travel Photos blog post

2012 Favorites photo album on Flickr
2012 Top 10 Landscape / Travel Photos blog post

2011 Favorites album on Flickr
2011 Top 10 Landscape / Travel Photos blog post

2010 Favorites album on Flickr
2010 Top 10 Landscape / Travel Photos blog post

2009 Favorites photo album on Flickr
2009 Top 10 Landscape / Travel Photos blog post

2008 Favorites photo album on Flickr
2008 Top 10 Landscape / Travel Photos blog post

2007 Favorites photo album on Flickr 
2007 Top 10 Landscape / Travel Photos blog post

2006 Favorites photo album on Flickr
2006 Top 10 Landscape / Travel Photos blog post

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